Whimsical Birds in High Flow Fluorescent Pink

High Flow Acrylics on tinted Light Molding Paste

Whimsical Birds or drawing with Golden High Flow Acrylics. Patti Brady, Director of Working Artist Program at Golden Artist Colors, Inc., designed this project. The project was for the NAEA conference held in San Diego and designed to showcase High Flow Acrylics and using Molding Paste as ground to paint on. I thought it would also be a fun project for students new to painting, introducing them to the various options in viscosity.  A wonderful but simple exercise to get the creative juices flowing.

Painted with High Flow Acrylics in refillable markers on tinted Light Molding Paste.

Golden High Flow Acrylics are designed for airbrushing, pen & ink, refillable makers, pouring, glazing and painting. The High Flows are high-intensity, flowing colors made with opaque and transparent pigments. They are formulated virtually clog-free utilizing 100% acrylic polymer emulsions and lightfast pigments, excluding the fluorescents.

Light Molding Paste and Fluid Indian Yellow Hue were mixed together to create the background and then applied with a palette knife to the painting boards (7 to 3 ratio for the mix).

Allow background to dry and then start painting.

Painted with a combination of refillable markers and brushes.

There’s always one odd bird in the flock. LOL. A student accidentally painted on their crackle paste board, which was to be used for their pear painting, but it still works and looks equally as good!

Bird painted with High Flow Acrylics on Crackle Paste.

If you would like to learn more about my clases check my calendar page for a class near you, also to find about these products please visit the following link:

Golden Artists Colors, Inc.       

...oh those delicious "Golden" pears!

Students from my Mixed Media Painting class were introduced to High Flow Acrylic paints, Fluid Acrylic paints, and a number of different grounds and pastes all made by Golden Artist Colors. The students painted on these various grounds and pastes to create some beautiful experiments using the pear as our subject.

Below are some examples of the “Golden” Pears created with both the High Flows and the Fluids on various grounds and pastes.

A pear painted on Crackle Paste.

Pear painted on Glass Bead Gel, the board was first painted in Naples Yellow.

Pear painted on Absorbent Ground, aka “Liquid Watercolor Paper” and in this case tinted with fluid Quinacridone Nickel Azo Gold.

Pear painted on Coarse Molding Paste.

Pear painted on Acrylic Ground for Pastels. This was also tinted with one of my favorite colors Quinacridone Nickel Azo Gold.

Pear painted on Fiber paste.

…and a two more examples of  students painting something other than pears on their Crackle Paste boards and Fiber Paste boards.

Alligators on Crackle Paste seems a natural fit and an abstract image on Fiber Paste.

…and a heart because we love Golden and Golden’s Crackle Paste.

If you would like to learn more my classes check my calendar page for a complete list of my classes. And to learn more about these Golden products please visit the following link:

Golden Artists Colors, Inc., visit: http://www.goldenpaints.com

GOLDEN Crackle Paste

GOLDEN Crackle Paste is a thick, opaque cracking material, designed to develop deep fissure-like cracks as it cures. The size and extent of the crackle pattern is dependent on many factors, including the thickness of application, and the environmental conditions (temperature, relative humidity and air flow) during drying.

Golden Crackle Paste has a consistency similar to cake icing, easily manipulated by a palette knife. Peaks will maintain their height and appearance. It is a harder film than the GOLDEN Light Molding Paste, yet still retains an absorbent surface. Films dry to an opaque, matte finish to which subsequent layers of acrylic paint and mediums can be applied. Crackle Paste can be easily tinted with GOLDEN Heavy Body, Matte, High Load and Fluid Acrylic Paints.

APPLICATION INFORMATION

While it’s possible to apply Crackle Paste onto a wide variety of surfaces, the extreme shrinking can warp flexible products like paper or canvas. Therefore, applications onto rigid supports such as wooden panels, sheetrock (decorative/faux finish applications) or hardboard are recommended. If an application on canvas is desired, pre-stretch the canvas before applying the Crackle Paste. This minimizes the warping of the canvas during drying. If paper is the desired substrate, it may be glued to a rigid support with an acrylic medium [such as Soft Gel (Gloss)] and allowed to dry to before applying the Crackle Paste. By securing the substrate or using a rigid support, the Crackle Paste has the greatest opportunity to develop the best possible pattern.

Inflexible Support — Shows how canvas will warp if this product is applied.

Below are a few student examples using Crackle Paste, the sgraffito pear was created by drawing directly into the wet paste, then allowing for it to dry, painting with thin washes of Golden Fluid Acrylics.

On the above panel the crackle paste has been spread out using a palette knife. The thickness is about that of a coin. The panel background was painted yellow to highlight the cracked areas. Generally the thicker the product the larger the cracks and the thinner the paste the smaller  the cracks. You can use a variety of tools to apply the product to a number of different surfaces, a rigid surface is the best.

Here I’m demonstrating to students the application of crackle paste and how to achieve different looks.

On this panel I used QoR Watercolors by Golden to paint the surface of the crackle paste, the surface is fairly absorbent and can create a number of different effects when using water to flood the surface.

You can also use Fluid Acrylics and High Flow Acrylics on Crackle Paste. You can apply multiple, thin, watercolor-like layers of fluid acrylics or thicker applications of paint. The more paint you apply and the more successive layers the more you can reduce the absorption of the Crackle Paste.  And if you use traditional heavy body paints you can even begin to fill in some of the cracks and smaller fissures.

On the panel below we used the Iridescent Bronze (Fine), one of the cool things about Golden’s Iridescent Bronze is the effects you can achieve when you flood it with water and the Phthalo Green pigment starts to separate out.

Crackle paste can be used to create traditional landscape paintings or abstract work, and as it dries you can allow the shapes in the paste to dictate what it is to become or the individual cells (mosaics). The Crackle Paste can be painted like a mosaic.

Notice how the paint is wicked from one cell to the next driven by the waters capillary action.

Here a student is using both Fluid and High Flow Acrylics by Golden to create her landscape painting.

Below are a few sample boards created for a lesson I  do on Crackle Paste in my mixed media painting class. The idea came from a book titled “rethinking acrylic” written by Patti Brady. The image is based on a similar work created by Golden working Artist  Bonnie Cutts (page 39 in the book “rethinking acrylics”). It's a fun and fairly easy lesson that students really enjoy.

A quick how to: 1) apply Crackle Paste, allow to dry, 2) Apply paint in thin watery washes, and step 3) repeat until happy.

First layer of paint, you could use Fluid Acrylics, High Flow Acrylics or QoR Watercolors all made by Golden. Just remember to keep them juicy wet with water to take advantage of the absorbent nature of the Crackle Paste.

Building up the "wash" layers of paint to add interest. 

There’s nothing like a few candid photos of yourself while teaching to make you look a little goofy and a little crazy, but aren’t most artist supposed to be a little goofy or a little crazy…haha.
To find out more about my classes and workshops check my calendar page.